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George Hayter John Montagu, 7th Earl of Sandwich cjr
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George Hayter Portrait of John Charles Spencer, 3rd Earl Spencer cjr
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George Hayter Portrait of John, 6th Duke of Bedford 1835
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George Hayter Drawing portrait of John Russell, 6th Duke of Bedford cjr
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George Hayter George Bridgeman 2nd Earl of Bradford 1835(1835)
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George Hayter Francis Baring, 1st Baron Northbrook cjr
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George Hayter Sir Robert Harry Inglis, 2nd Bt, cjr
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George Hayter Admiral Sir Edward Codrington G.C.B., K.S.L., K.S.G. MP for Devonport, study for House of Commons picture 1836 cjr
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George Hayter John Campbell, 2nd Marquess of Breadalbane cjr
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George Hayter Thomas Brunton 1832(1832)
cjr
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George Hayter Portrait of Annabella Byron 1812(1812)
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George Hayter Formerly thought to be portrait of William Wilberforce, portrait of an unknown sitter cjr
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George Hayter Portrait of the Duke of Wellington 1839(1839)
cjr
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George Hayter Duke of Wellington cjr
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George Hayter John Jonson, Lord Mayor of London in 1845 oil on canvas
127 x 101.6 cm
1845
cjr
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George Hayter Mrs Ellen Robertson-Bruce painted in 1820 cjr
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George Hayter Portrait of a boy 1820(1820)
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George Hayter The Angels Ministering to Christ, painted in 1849 cjr
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George Hayter State portrait of Queen Victoria 1860(1860)
Medium oil on canvas
Dimensions 201.5 x 150.5 cm (79.3 x 59.3 in)
cyf
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George Hayter Portrait of Victoria 1835(1835)
Medium oil on canvas
Dimensions 253.4 x 142.2 cm
cyf
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George Hayter
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1792 - 1871
English painter and printmaker. He was the son of Charles Hayter (1761-1835), miniature painter, author of manuals for art instruction and Professor of Perspective and Drawing to Princess Charlotte. In 1808 George entered the Royal Academy Schools, and in 1815 was appointed Painter of Miniatures and Portraits by Princess Charlotte. Hayter was awarded the British Institution's premium for history painting for the Prophet Ezra (1815; Downton Castle, Heref. & Worcs), purchased by Richard Payne Knight. Encouraged by his patron, John Russell, 6th Duke of Bedford, he travelled to Italy to study in 1816, gaining election as an honorary member of the Accademia di S Luca in Florence. Returning to London in 1818, Hayter practised as a portrait painter in oils and history painter and occasionally acted as an art dealer. Dubbed 'The Phoenix' by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families.
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